＿戲劇性記憶
_Dramatically Recall
＿戲劇性記憶
_Dramatically Recall
雙頻道錄像。2022。
Two-channel video with sound. 2022.
_Dramatically Recall
雙頻道錄像。2022。
Two-channel video with sound. 2022.
影像取材自劇場戲劇《畫鬼腳》拍攝劇照之過程。過程中將運動型攝影機置於相機熱靴上頭，以一邊拍攝劇照，一邊錄製影像的方式進行。
劇場、幕後工作者、演員、觀眾……在構成戲劇主要元素當中，劇照拍攝基本上不影響戲劇的演出和形貌，但卻在某一程度上決定了戲劇的遺像，以什麼樣的樣態遺留在世上供人觀看、查閱。但也另一方面忽略了那些充滿在現場的機遇性、身體感、慾望的流動等，那些真實地填滿劇場的可能。
Scene一詞作為錄像段落間的過場，詞意上帶有場景、現場、風光等意涵，有著既平面又立體、既靜止又搖晃的質地。進一步地，我想也可以將它理解為空的、待記憶和檔案去填補的，或視為一種溢出戲劇事件的個體、一種例外。
劇場、幕後工作者、演員、觀眾……在構成戲劇主要元素當中，劇照拍攝基本上不影響戲劇的演出和形貌，但卻在某一程度上決定了戲劇的遺像，以什麼樣的樣態遺留在世上供人觀看、查閱。但也另一方面忽略了那些充滿在現場的機遇性、身體感、慾望的流動等，那些真實地填滿劇場的可能。
Scene一詞作為錄像段落間的過場，詞意上帶有場景、現場、風光等意涵，有著既平面又立體、既靜止又搖晃的質地。進一步地，我想也可以將它理解為空的、待記憶和檔案去填補的，或視為一種溢出戲劇事件的個體、一種例外。
The imagery is sourced from the process of shooting stills for the theater play “A mi da ku ji” During this process, a motion camera was mounted on the camera’s hot shoe to simultaneously capture still photos and record video footage.
Although shooting stills generally does not interfere with the performance and appearance of the play, it does, to some extent, determine the play’s visual legacy—how it is left behind in the world for people to view and study. However, it also overlooks the spontaneous, embodied experiences and the flow of desire that truly fill the theater with possibilities.
The term “scene” is used as a transition between video segments, carrying connotations of a scenography, a live event, or a landscape. It possesses qualities that are both flat and three-dimensional, both static and dynamic. Further, I think it can also be understood as something empty, waiting to be filled with memories and archives, or viewed as an individual that spills over the theatrical event, an exception.
Although shooting stills generally does not interfere with the performance and appearance of the play, it does, to some extent, determine the play’s visual legacy—how it is left behind in the world for people to view and study. However, it also overlooks the spontaneous, embodied experiences and the flow of desire that truly fill the theater with possibilities.
The term “scene” is used as a transition between video segments, carrying connotations of a scenography, a live event, or a landscape. It possesses qualities that are both flat and three-dimensional, both static and dynamic. Further, I think it can also be understood as something empty, waiting to be filled with memories and archives, or viewed as an individual that spills over the theatrical event, an exception.