Skip to content

Free

Free
現場行為、物件,依場地而定。
臺南,台灣,2024。
Performence, Objects. Dimensions variable.
Tainan, Taiwan, 2024.

從一張因為自己在路邊移動他人的摩托車,而收到妨礙自由的刑事傳票開始思考。

從事藝術創作的自己,宣稱藝術是自由的同時,能夠怎麼妨礙他人的自由?而藝術又果真如大家所說的自由嗎?自由是否是受到肉身之軀所束縛的人的臆想罷了?因為自身的不自由而嚮往自由,又因為碰觸到看似自由的邊界發現自己不自由。

在這件作品中,想試著以在現場觀眾周圍匡出沙圈,其輕巧、帶有玩樂性質的材質和動作,去探討自由的界線關係。

Starting from receiving a criminal summons for moving someone else’s motorcycle on the roadside, I began to contemplate.

As an artist, proclaiming that art is freedom, how can one hinder others’ freedom? And is art truly as free as it’s often described? Could freedom merely be an illusion of those bound by the constraints of the flesh? Longing for freedom due to one’s own constraints, yet encountering the boundaries that appear to be free, only to discover one’s lack of freedom.

In this piece, I try to making a enclosed shape around the audience on-site. By using lightweight, playful materials and movements, I aim to explore the boundaries of freedom.

作品照攝影 Photographer | Juli Lee